Profile
Politics of the Machines Board Members

Hege Tapio
General Board Member
Hege Tapio is a Norwegian artist, curator, and researcher whose work operates at the intersection of art, technology, biology and the life sciences. Her practice explores how biological systems, machines, and technological infrastructures increasingly shape the conditions of contemporary life. Through speculative artistic research, Tapio investigates the political, ethical, and affective dimensions of emerging technologies, particularly where living systems and technical systems converge. For more than two decades she has developed research-driven artworks and transdisciplinary projects examining how bodies, materials, and metabolic processes become entangled with technological systems of measurement, extraction, and control. Her work often engages biochemical materials, speculative design strategies, and critical narratives to interrogate dominant technological imaginaries and the economic and political logics embedded in contemporary techno-scientific culture.
Tapio is the founder and artistic director of i/o/lab – Center for Future Art, an independent platform for experimental art and transdisciplinary collaboration, through which she has been actively engaged in networks for art–science practices in Norway and the Nordic region. Through i/o/lab she initiated and curated the Article Biennale (2006–2016), an international platform for artistic engagement with electronic art, science, and emerging technologies. She has also played an important role in the development of bioart discourse in Norway. In 2008 she initiated the country’s first Bioart Masterclass in collaboration with SymbioticA, and later contributed to the development of the Norwegian BioArt Arena (NOBA).
Alongside her artistic practice she has curated exhibitions and research initiatives examining the societal implications of technological systems, including the exhibition Caring Futures, developed as part of the research project Caring Futures: Developing Care Ethics for Technology-Mediated Care Practices. Tapio’s artworks frequently address the thresholds between biological life and technological mediation. Projects such as Humanfuel, in which fat extracted from her own body was converted into biofuel, and Humanoil – The Last Oil, presented at Ars Electronica, critically examine energy systems, bodily materiality, and the commodification of the human within techno-industrial cultures. Her recent work Ephemeral, presented in the Getty PST ART: Art & Science Collide program at the Beall Center for Art + Technology (2024), investigates emotion as a biochemical and technological interface.
Tapio is currently affiliated with the Futures of Living Technologies (FeLT) research project and the Innovation for Sustainability (PINS) PhD program at Oslo Metropolitan University, where her doctoral research Metabolome: Speculative Artistic Practice Between Life and Technology examines affective technologies, synthetic biology, and the role of artistic research in critically engaging emerging techno-biological systems. She is also an associate artist with the Metabolic Art Gathering program at Medical Museion, University of Copenhagen, and serves on the editorial board of Technoetic Arts: A Journal of Speculative Research.
Personal Website
tapio.no
LinkedIn Profile
linkedin.com/in/hege-tapio